(taedon witztl doesn't live here anymore).
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postcards from berlin

this is an exercise i invented for myself to process a bunch of work i was seeing while based in berlin a couple years back.

these aren’t reviews by any means.

they’re freewheeling reflections on the differences between anglo-canadian and northern european theatre ecologies, prompted by specific pieces i saw over the course of fall 2017.

in retrospect i probably should have carried the exercise over to the dance clubs. next time.